So, when we arrived at the hunt for Voldemort's horcruxes in order to vanquish him, as made clear in HBP, I knew I'd met this plot device before.
In Dracula, the aristocratic vampire has bought multiple properties, scattered around England, where he plans to move for diabolical purposes. He ships fifty boxes of his native earth from Transylvania to his newly acquired British real estate. It is learned that, among the several limitations of Dracula's power, he must rest in the sanctified soil of his native land, soil that is sacred to his mighty family. Indeed, early in the book, Jonathon Harker, being held prisoner in Castle Dracula while the real estate transactions are being finalized, sneaks down to the ancient chapel of the castle and witnesses the fifty boxes of earth being prepared and loaded by loyal gypsies for shipment; he also sees Count Dracula sleeping on the soil itself inside one of these boxes...when he tries to smash a shovel blade into the face of the sleeping vampire, Dracula turns his head and zaps Harker with a powerful gaze, which forces him to swing wide and miss his mark. The final third of the book turns into a game of strategy and chase where the vampire hunters seek out and "sterilize" all the fifty scattered boxes in order to deprive the vampire of his requisite sanctuary, and corner him. Only when this is nearly accomplished does Dracula flee England and return to his castle, where the climax and finale of the book occurs.
Sound familiar? There are also other parallels that suggest JKR was influenced by this important literary predecessor. I've listed a few below; there are others. For a bit of fun, add and discuss any that might occur to you as well as key differences in the plots, characters, and themes. I suggest we should focus on the books, where the real parallels are, rather than the movie versions.
- Voldemort needs his horcruxes to survive; Dracula needs his boxes of earth. Destoying these objects is key to plot design for stopping the evil plans of the villain.
- Dumbledore's morality, wisdom, and strategy is set against VD's ambitions; Van Helsing's are set against Dracula's
- Voldemort is opposed by the combined efforts of Harry, Ron, Hermione, DD, DA, OotP; Dracula by combined efforts of VanHelsing, J. Harker, Quincy Morris, Lord Holmwood, J. Seward, Mina Murray-Harker
- Harry has a scar on his forehead signifying Voldemort's attack; Mina has a scar on her forehead, seared by the communion host, which signifies that she has been tainted by Dracula's bite and forced drinking of his blood.
- Harry has a mind connection with VD associated with his scar; Mina does too (when Dracula dies, her scar disappears). The mind connection is used by both antagonist and protagonists to gather information about the other side's activities.
- Voldemort's choice of Harry as an object of attack is a strategic one, not circumstantial; so is Dracula's choice of Mina
- Voldemort's horcruxes are chosen with a view to their personal, familial, and historical associations; Dracula's boxes of earth have these same associations
- Voldemort's mangled immortality stands as a mockery of life; so does Dracula's
- Hogwart's is vast and contains dark secrets; so is Castle Dracula
- Food appears and disappears mysteriously in both places, though the mystery is quickly resolved
- The draining of a person's soul by the Dementors is called "the kiss"; the female vampires in Castle Dracula fight over who will get to "kiss" Jonathon Harker...ie: drain him of his blood
- Voldemort is described as having red eyes; Mina sees a shadow with red eyes bending over the body of Lucy in the graveyard
- the theme and perversion of motherhood and childhood: Lily's sacrifice, Merope's abnegation of her duty, Mrs. Weasley's protectiveness, Tom's torment of his fellow orphans, Myrtle's murder, Greyback's targeting of children ...at Castle Dracula, the vampire women feast on an infant brought to them in a bag by Dracula, a mother later shows up at the castle decrying the vampire and demanding her child back, Dracula sends his wolves to devour her; Lucy as a vampire only victimizes young children; and Mina says in chap XVII: "We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked."
That's thirteen, a good number at which to stop. Compare and contrast, if you will, and enjoy.